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Bearing the Unbearable: Yiddish and Polish Poetry in the by Frieda W. Aaron

By Frieda W. Aaron

This publication is a pioneering examine of Yiddish and Polish-Jewish focus camp and ghetto poetry. It unearths the effect of the immediacy of expertise as a formative effect on belief, reaction, and literary mind's eye, arguing that literature that's contemporaneous with unfolding occasions bargains perceptions various from these offered after the fact.

Documented here's the emergence of poetry because the dominant literary shape and fastest response to the atrocities. The authors exhibits that the undertaking of the poets was once to supply testimony to their epoch, to talk for themselves and should you perished. For the Jews within the condemned global, this poetry used to be a automobile of cultural sustenance, a method of putting forward conventional values, and an expression of ethical defiance that regularly saved the spirit of the readers from dying.
The explication of the poetry (which has been translated by means of the writer) provide not easy implications for the sector of severe conception, together with shifts in literary practices--prompted via the starting to be atrocities--that demonstrate a spectrum of advanced experimental techniques.

"...this e-book has singular value as a research of poetry with regards to the Holocaust...[and] actual advantage as a source within the burgeoning box of severe thought usually, poetics in particular."--Terrence Des Pres

"...a exclusive contribution to Holocaust scholarship."--Irving Halperin

"...it is likely one of the most sensible works I ever learn at the subject..."--Miriam Novitch

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Additional info for Bearing the Unbearable: Yiddish and Polish Poetry in the Ghettos and Concentration Camps (SUNY Series in Modern Jewish Literature & Culture)

Sample text

Where personal hardships or individual grief are the center of the poems, they often belong to the author's early writings. W JadysJaw Szlengel: Initial Forms of Distancing Early attempts to grasp the significance of the unfolding events are exemplified in Whdyshw Szlengel's "Telefon" (Telephone). Not much is known about Szlengel or the other poets writing in the Holocaust, although some of their poetry was saved. Most of their biographical data is, therefore, conjectural; for, like other persons who knew them, the poets vanished.

Those "things" and their owners who could find shelter realized, soon enough, that it was very temporary. " (Charcoal) Great Chain of Being D 47 Sliska and from there to Niska, the lower circles of the ghetto. As "things" were squeezed into the bottoming cone, they became fewer and smaller. Yet their value was high, for their loss symbolized the loss of life's anchors and ultimately life itself. In resuming the descent from Niska to the "blocks"-factories in which only those who secured permits to work and hence to live worked as slaves-all that is left of the human possessions "is a suitcase and a coat, / ...

In carts, rickshaws, and wagons the gloomy motley rides ... Again they left Niska all heading toward the blocks. No more furniture, no stools, no pots, no bundles. Lost are the teapots, books, featherbeds, little jars. To the devil went the suits and knicknacks. Dumped together in a rickshaw ... a valise and a coat, a bottle of tea, a bite of caramel. On foot without wagons the gloomy mob rides ... Then from the blocks to Ostrowska moving along a Jewish road Great Chain of Being 0 45 without big or small bundles, without furniture or stools, without rugs and teapots, without silverware and little jars, a valise in the hand, a warm scarf ...

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